Showing posts with label air. Show all posts
Showing posts with label air. Show all posts

18 December 2011

A son of Prometheus.

Described as a writer "in the tradition of Hemingway and Orwell," atheist Christopher Hitchens' voice might arguably have been among the most significantly articulate for earth-spiritual people to hear and understand. His recent death, at age 62 to pneumonia as a complication to esophageal cancer, robs enlightened people everywhere of a powerful presence.

Does it seem contradictory that a man who tirelessly argued against mysticism and belief and superstition might be praiseworthy among people who, to some, might be among the most mystical and, on the face of it, superstitious in all religious communities? Pause and reflect.

In articulating how organized religion has become an abhorrent threat to thinking and free people the world over, and how religion arguably is the primary source for most hatred and violence in the world, Hitchens did more than petulantly thumbnose the icons of religious doctrines. Perhaps it was not so much that "God" was his enemy as it was what he described as the "theocratic fascists" of the world, those people whose alleged devotion to any variety of a Supreme Deity brought them down the path toward hurtfulness, hate, and control. His enemy was the institutionalization of faith and the violent discord, from any number of doctrines, that such organization seemed to inevitably let loose upon the world for centuries.

Judeo-Christian theologians, particularly fundamentalist Christian media pundits, loved attempting to take Hitchens to task. Consistently, they found themselves intellectually unarmed however, as Hitchens' humanistic genius found itself coupled with his inexhaustible literary experience as a journalist, critic, essayist, editor: an analyst of words and its power. But as they attempted to defend the merits of their beliefs, many of these same monotheist theologians seemed to miss a consistent underlying point within almost all of Hitchens' arguments: that it is the imposition of belief, not the individual presence of belief, that is a danger to society.

This is a point which, I desperately hope, all Pagan spiritual people can agree with.

Hitchens was not, as some of his detractors would have you think, entirely unawed by what some people might characterize as sacred. In one interview, he agreed that holding his infant children filled him with enough awe that he asked himself if it were possible that some supernatural comprehension could exist. Speaking during one of the many symposiums he gleefully participated in, he implied that any belief that could found itself on the empowerment of women might actually succeed in bringing more good than harm into the world. In both voice and written word, he reminded us, again and again and again, that any institutionalization that contributes to divisiveness, discord, and disharmony in any way whatsoever ultimately only contributes to anguish in the world.

No community of religious or spiritual people is entirely homogenous in its understanding and celebration of whatever it is it identifies as "sacredness." Even among One True believers, there really is no such thing as a one true belief, as the feral complexity of both the human spirit and imagination is simply too expansive. Hitchens himself, a militant atheist, did not acknowledge any sort of anthropomorphic personified divinities, and he happily ridiculed that any such personification could be acceptable to intelligent people. Most theists would cry out in angered frustration.

Yet many deists (and here, arguably, I could include pantheists, panentheists, and henotheists) can appreciate the broadness of scope that arguments like Hitchens' could contribute to spiritual discourse. Even if one were to completely disagree with Hitchens' atheism, the bedrock of his arguments nevertheless aid enlightened and thinking people into powerful directions of thought. These directions demand that everyone, spiritual or nonspiritual alike, fearlessly examine the nuances and messages and repercussions associated with whatever belief system we've chosen.

Ultimately, how can any compassionate person anywhere, participating in any community, not find merit and importance in reflecting upon that? We may find ourselves uncomfortably "doubting" foundations of belief, but then that would beg the question: is it wrong to "doubt" a belief that, upon critical observation, is fundamentally hurtful or hateful or divisive? When does a healthy message become superceded by an unhealthy method? And if the message itself can be found to be unhealthy, how long can it expect to be sustained, and what might it suggest about the people who would choose to so sustain it?


26 August 2010

The scent of feral, joyful earth.

Maybe it's because I've started this wee little Pagan blog and have been thinking about my past a lot. Maybe it's because I miss old friends. Maybe it's because it's the Lammastide season, and that always makes me reflective as Mabon, and then Samhain, draw closer and closer. The Veil has begun to thin.

But recently, I found myself looking at an old photo of me (and my stepdaughter, if one can spot her) taken in the Magickal Childe perhaps some twentysomething years ago, and the vast array of jars and vessels behind me caught my attention. It had me remembering when, in my youth, as I waited for my covenmates to arrive at the store for our weekly Pagan Way rites, going to one particular jar on one particular dusty, musty shelf had become part of my personal routine.

Removing the lid, I would breathe the heady vapours from the jar, filling my lungs, and somehow, synapses in head, heart, and spirit conjoined to tell me that everything was all right with the world. For me, the scent in this vessel bespoke of Home like none other.

It was Herman Slater's Cernunnos blend, and along with recipes such as High Church, Kyphi, and straight frankincense, was among the first and most impression-making incenses to arouse my spirit. I loved our group's censer, which dangled from a long length of thin iron chain from a tall, iron rod, and how this incense would dance in thick, white ropes through the candlelight like pipe smoke from a fantasy wizard's mouth.

I remarked on how I missed this scent on my Facebook profile this morning, and a few friends who had also been to the Childe back in the day commented warmly. One asked me what the incense was like, and so I've decided to share it.

CERNUNNOS #1

pine
sandalwood
civit
valerian
musk
cinnamon
frankincense




CERNUNNOS #2

oak leaves
sandalwood
allspice
coriander
cedar
carnation


Herman would eventually publish these recipes in his Magickal Formulary Spellbook, which contains a host of incenses and powders that he and his staff at the store would use. I love the stuff, and regard it as classic material.

He never really detailed proportions for this incense, but with the way the recipes are written, I'm inclined to believe that they're either listed in descending volume order, or as equal parts. Experimentation required, season "to taste." I'm also fairly certain that it was recipe #1 I experienced most often, although I have vague memories of juniper berries and a tiny hint of camphor sometimes being in the mix. Let the pine needles be long. It's also completely possible that the store staff wasn't always particular about mixing batches of both versions, but I have nothing to support that with. Take it as art, not science.

But the resulting incense should be heady, feral, rich, and with an almost soil-like texture. Ground around the bases of a boreal wood at dusk, following a spring rain, near a cluster of mead-drinking dancers. For me, that was part of its charm, and the resulting burn should be sweet and dense, thick and smoky, like an incense equivalent to a deep Italian red wine loaded with body and nose.

For me, it was the essence of The God.